Love Child – a shawl

Here are words that I never thought would ever come out of my mouth: I love Yak!

Yak fiber that is.

Meeting a new fiber is always an exciting experience, but it doesn’t always end well. Luckily this is a love story. This yarn from Gale’s Art is a blend of Merino, Yak and Silk and it is a treat to knit. The name is more descriptive than fanciful, MYS622 – but it tells you what it is, a 60/20/20 blend of the aforementioned fibers. In a way it is similar to the cashmere blends with comparable blends, but the Yak is decidedly different than the cashmere. It is wonderfully soft, but it has a weight to it that cashmere lacks. The yarn also has a … coolness … to it, in the hand it feels almost like it is slightly damp – but it isn’t. Now that could be the high silk content? I am afraid I am not a fiber expert, but what I do know is that it knits wonderfully and has fantastic drape. The yarn itself feels heavy in the ball but the finished shawl is remarkably light weight (yet warm at the same time). Plus, it comes in absolutely glowing deep colors.

When we started talking about working on a piece together I absolutely knew I had to do color work. Gale was looking to put together a kit for the upcoming Fall fiber festival season – and I was pleased as punch to be a part of the project.

Love Child, a two color shawl with lace and slipped stitches by Barbara Benson

Hello lovely

Presenting Love Child. The name? Well it is a bit silly (but when am I not?) but it comes from my attempting to describe the idea over the phone. I believe what I said was “It is as if In Uffish Thought and Captive got together and had a two color Love Child.”  A few hours later I received a text message cursing politely thanking me for getting the song stuck in her head. And the title stuck as well.

Love Child - a two color lace shawl with slipped stitches, by Barbara Benson

You know me and swoops.

If you have been playing along at home you probably recognize this shape. I have become enamored of it. The side to side construction makes me happy because it allows the knitter to adjust easily to their yardage and desired size of project. It retains the curved neckline of a crescent that allows it to hug the shoulders and wear comfortably, but its hybrid triangular shape makes it deeper down the back and provides more styling options. The slight asymmetry shifts the “point” to one side to eliminate the dreaded “arrow pointing at butt” effect that so many dislike about triangular shawls … all in all I think the shape has a great deal going for it.

Love Child, an asymmetrical shawl worked in two colors with slipped stitches and lace by Barbara Benson

This shape just wears in so many ways

For this version I have eliminated the lower edge “trim” that you find on In Uffish Thought and BitterBlue. It streamlines the shawl and takes it into a more casual and functional piece. It is also the result of a whole pile of math to create shaping that is of an every other row style as opposed to the binding off some stitches style. Both have merits and I thought I would play to see what I could come up with. I wonder what would happen if I did both …. hmmmmmmm?

Love Child, a tow color lace shawl with slipped stitches, by Barbara Benson

Are you ready for fall?

My end result was a shawl that is remarkably easy to knit. I memorized it without really trying and truly enjoyed the knitting process. It has some easy lace and a very repetitive rhythm, there is one fancy stitch for the leading edge increase – but you will soon get the hang of it.  It is also easily adjustable (as I said, one of the pluses of this shape) both in size and the possibilities for customization. I chose to have the striping pattern produce regularly spaced bands of color – but one could also muck about with the color changes and create one’s own banding pattern that suits one’s fancy! As is typical, I thought about how I could change up the colors as I was knitting it – but relied on discipline to stay the course.

Love Child, lace combined with two colors and slipped stitches create this knitted shawl by Barbara Benson

Yet another way to wrap.

The photo shoot went beautifully and I had a very hard time narrowing down the shots.  I also almost fell into a stream. Fatimah said “Fall with the camera in the air.”, because she totally knows what is important! The shawl itself will be traveling to New York Sheep and Wool (Rhinebeck) with Gale and she will be offering the pattern in a kit with her stunning yarn. If you are going please stop by and say hi! I also believe that she will have the kits at Southeastern Animal Fiber Fair (SAFF) – which I will be attending! If you are going give me a holler and maybe we could say hi!

I would love to hear your thoughts on shawl shapes in the comments. Likes, dislikes, suggestions? Please speak up!

 

Edited to answer request in the comments:

I know I say it, everyone blogger says it – but I love comments. Without comments it is kinda like throwing pennies into a wishing well and never finding out if your dream comes true. Unless I receive feedback I don’t know if I am giving y’all the information that you want/need/enjoy. So when I saw the specific request from shoelaceswitcher in the comments I was all like “A schematic?” it had never occurred to me to put that in a blog post. It took a little fiddling to convert the file I have from the pattern into a JPG that I can put on the web – but it wasn’t anything too exciting.

So, here it is! I hope it gives you the info you need.

Schematic of shawl

Schematic of shawl

Cables are Cool

Cables are Cooool <<<click for pattern page on Ravelry

First off, you have to say the title of this hat in the correct way. You have to use your best number 11 (Matt Smith) Dr. Who voice. (link is to video). It is a subtle reference, but hey, I like to amuse myself.

Cables are Cool: A two color cable hat featuring slipped stitch color work by Barbara Benson

Cables are Cool

Now – you probably know I have a weakness for slipped stitch/mosaic style color work. I keep dreaming up ways to incorporate it into other knitting techniques to try and do something a wee bit novel. And it avoids stranding. I don’t like stranding. I mean I can totally do it if I really want to, and I might yet design a stranded pattern, but for now I am having too much fun with slipped stitches.

Cables are Cool: A two color cable hat featuring slipped stitch color work by Barbara Benson

This is the smaller version

Which led to this hat. My newest victims are cables. How to create a cable that looks like two different color cables that weave in and out of each other. I think I managed the effect quite well. Now, this isn’t a beginner level pattern. I had to create my own cable nomenclature (which might give you a clue to why these two posts came about) and fiddle about with the charting software a bit. But I think I ended up with something that makes logical sense.

Cables are Cool: a two color, slouchy cable hat with slipped stitch color work by Barbara Benson

I love it when I catch Fatimah laughing

And then there was the matter of yarn. I wanted to use something that had a wide palate of colors that people could choose from and that was a joy to knit with. Luckily I was able to work with the amazing color minds at Dream in Color and they provided their luscious new revamp of their worsted base Classy. Super soft and easy to work with, I am thinking it will become my go-to for when I want a plied worsted yarn. Nice and floofy and in a bajillion colors, I just couldn’t go wrong.

Cables are Cool: a two color, slouchy cable hat with slipped stitch color work by Barbara Benson

I like the brim and think I could have gone even bigger.

For shape I wanted to go with a nice slouch, mostly because it allowed me to repeat the cables more – because more cables = good. I decided to end the cables before I really got into the crown decrease because really, who wants to fiddle with the decreases and the cables at the same time? The fun thing with this technique is that it allowed me to have this cool stripey pattern on the top. If you wanted you could switch to knitting in solid after you finish the last cable and have a solid top.

Cables are Cool: a two color cabled hat featuring slipped stitch color work by Barbara Benson

See, laughing

After finishing the first hat I had a ton of yarn left over and I decided to go ahead and knit a smaller version. The Adult/Large is a very loose fitting hat. It stays on but does not bind the head. Because of that people with heads on the smaller end of the spectrum might find it a bit too big. Hence a smaller size. But it is for quite small heads and will therefore also be appropriate for your bigger youths (tweens/teens). While knitting the smaller hat I also tried out a brim variation because – well, why not? Because it is just ribbing you could make it as long as you want to have a big fold-over brim. I went with four inches total for a 2 inch brim when folded.

 

Between the different sizes, brim options and color choices – you can really make this hat your own. I cannot wait to see what people knit up? What do you think your preferences would be?

 

 

BitterBlue – the reveal

It started innocently enough. One of my fabulous testers for In Uffish Thought sent me a note with her progress. She mentioned, off-hand, that she had to resist the urge to put a bead at the tip of each point.

I could have named this shawl Cascade Effect, I might keep that name for the future. But its name is BitterBlue.

Lace shawl worked in gradient yarn with gradient beads by Barbara Benson.

One last tease

The process of knitting my sample for Uffish was quite enjoyable, I really like the shape and the knit was pretty simple. In the past I have explored different designs with the same shaping – why not with this shape? Of course, Uffish features the teeniest of cables, so the logical next step was lace (for me at least).

Beads and lace play so nicely together.

BitterBlue - a lace shawl knit in gradient yarn with gradient beads, by Barbara Benson.

An alternate color scheme “Magic Carpet”

And if a few beads are good then more are better, right? Then the gradient yarn idea hit me and I thought to myself “Would it be possible to do a gradient in beads? What if the gradient in the beads went in opposition to the gradient in the yarn?” Yes, this is how my brain works.

BitterBlue - a lace shawl in gradient yarn with gradient beads, by Barbara Benson.

This is in the namesake color BitterBlue

There had to be enough beads to make the gradient visible as a “thing” but I didn’t want to overkill. The final product is the result of a delicate balance of my personal desire for the sparkle and my desire to not be beading anymore. Because beading is time consuming – but oh so worth it.
BitterBlue, a lace shawl worked in gradient yarn with gradient beads, by Barbara Benson.

This is the full size and shape

As I mentioned in my teaser post, this project represents the creative efforts of not just myself, but a couple of other very talented ladies. Kelly from The Unique Sheep and Ellen from Earthfaire contributed their amazing abilities in their respective fields to create this end result – which I think is the perfect meeting of yarn, beads & knitting. They have put together kits of these two color schemes and there are a few that will be available here if you missed out on the pre-order.
The pattern itself is fairly straightforward knitting. Knits, purls, yarn overs and basic decreases with some slipped stitches thrown in for good measure. I am not gonna lie, the beading slows you down – but it isn’t difficult. Just bust out your wee crochet hook and you are on your way. As with In Uffish Thought, the pattern is worked from one pointy end towards a long bind off (which naturally I beaded) and is therefore fairly flexible in sizing & yardage.
BitterBlue- a textured lace shawl knit in gradient yarn with gradient beads, by Barbara Benson.

So many ways to wear this shawl!

Earthfaire is hosting a KAL for the shawl in September in their Ravelry group and I will definitely be there to answer questions and provide cheer-leading. But mostly to ooh & ahhh at the pretties. ;) I could post about a dozen more pictures, but I think it better to go ahead and release the post into the wild. Hope you love it!
To wrap things up I wanted to send out an enormous Thank You to Lois. Lois is the reason why there is a sample in both of the colors, while I knit the original in the BitterBlue, I did not have the time to do the Magic Carpet version. Lois applied her experience with both beading and The Unique Sheep gradiances and produced the beauty that you see up there!

 

Pondering Patterns

Remember way back in May when I went to TNNA? I know, it seems like forever ago … but it has been fresh in my mind. Immersing myself in the world of knitting and yarn was a fantastic if exhausting experience. My primary goal for the trip was simply networking. I figured that I had (and have) a whole industry to learn and my best bet was going to be doing more listening than talking and trying to learn as much as possible. All in all the trip was an overwhelming success for me.

But, I also had a secondary, you know – just in case it happens – goal. I wanted to investigate the idea of getting my patterns out there into local yarn stores in hard copy. Why you might ask? Well, believe it or not, there are knitters who are not on Ravelry. Heck, there are knitters who aren’t even on-line (much). And while I personally prefer the more direct contact I get with knitters that direct digital sales provides, I would like to reach those knitters that prefer to have a printed copy of the pattern in their hands.

I understand, I don’t like reading books on an e-device and I am sure it is a similar thing.

As is happens, the stars aligned, one thing led to another and I ended up talking with the amazingly talented Heather Zoppetti who is the one woman force of nature behind Stitch Sprouts. The impetus behind writing this post was a new blog post on the Stitch Sprouts blog announcing the New Designers. I am totally excited, and frankly slightly stunned to be included among all of the talented designers at Stitch Sprouts. Many of them I met and got to know at TNNA (hurrah for the break down team!) and I wish I could have them all living around me so that we could plot and scheme constantly. But alas, designing is a relatively solitary pursuit.

I now have my very own page on the Stitch Sprouts site – here is a screen grab for proof:

Stitch Sprouts designer, Barbara Benson

A snap shot of the website.

The upshot of all of this is that your local yarn store can now carry my patterns! All they have to do is go on the Stitch Sprouts site and sign up for the upcoming catalog. And really, I think it will be well worth it. There is such a great variety of patterns in both knit and crochet that, even if they don’t like my stuff, they are sure to find something that will be a hit in their store.

Along with the patterns, Heather also carries some absolutely lovely yarns and some really fun stitch markers. My favorite of the stitch markers are these:

Stitch Sprouts paper stitch markers

The weigh pretty much nothing

Do you know what these are made out of? Paper! And where did the paper come from? Old Stitch Sprouts catalogs! Isn’t that brilliant? They take the old catalogs and instead of chucking them in a landfill they get torn into wee strips and turned into beads. Heather then turns the paper beads into snag-less stitch markers et voila! Upcycled. Totally one of those “why didn’t I think of that” moments when I found out.

Big news to round out the Summer, eh? If you have any questions please do not hesitate to ask. And if you think that your LYS would like to carry my patterns, please pass the info along. Thanks!

au Courant

What do you want to hear about? Do you want to have a detailed description of the pattern proposal process and the wonderful experience that was working with Twist Collective? Or do you want to peer into the dusty corners to try and understand the slightly off mind that would even dream of combining these two techniques? Maybe you want to see my relatively pitiful attempt at a “fashion sketch” that is required for pretty much all proposals?

Or do you just want to see the pretty pictures? Because we can totally do that!

Hand knitted color-work lace stole from Barbara Benson

Photo by Linus Ouellet courtesy Twist Collective

I was waiting impatiently to see how the photography for this shawl turned out … and I was not disappointed. I hope you love it too. This pattern involved quite a bit of indulging myself. If you hadn’t noticed, I like to push the boundaries a bit, break a rule here and there. One day I was visiting my best friend (who is a knitter of course) and I started paging through her copy of The Haapsalu Shawl and, just like any knitter, was in awe of the beauty of these intricate stitches.

But can I leave well enough alone? Hah! Never. Where I stray from being on the “normal” side of things is that my first thought was “how can I make this two color?” The review I linked to refers to the book as “The Estonian Barbara Walker” which explains a great deal, considering my obsession with Walker’s Mosaic knitting concepts. Long story short (don’t laugh) I spent a great deal of time figuring out how to make this happen.

Knitted color-work lace shawl pattern by Barbara Benson

Photo by Linus Ouellet courtesy Twist Collective

And this was the result. I will be forever grateful to Twist Collective for being willing to publish such a adventurous pattern. The entire issue is absolutely beautiful and if you haven’t taken a look at it yet, you should. I will be here when you get back.

It is a big piece, my biggest to date. I am not going to lie, it is a lot of knitting. But it was nothing that even resembled a chore because of the unbelievable yarn I had to work with. The incomparable Miss Babs supplied the perfect blend of Merino and Silk in her fingering weight Shiruku in the colors Helen of Troy and Cygnus. In my proposal to Twist I was fairly adamant that they yarn needed to contain silk. This was necessary for a couple of reasons.

The slip stitch color-work technique used in the pattern creates a situation where there is a lot of compaction of the stitches. If you have handled any “traditional” mosaic work it can be quite … dense. Much of my development time has been centered around figuring out ways to thwart this tendency. One solution I have arrived at is knitting at a larger gauge than normal. A second component is the lace itself; adding in holes creates a more bendy fabric. The silk is the final component.

Silk has fine drape and allows the fabric to move and flow just as a shawl should. It also has very little memory so it improves the shawl’s ability to retain its shape once it has been blocked. Now, you might ask “Why not just go 100% silk?” which is a good question. Silk tends to be a very well defined yarn and the stitches stand out individually. Which is not precisely what I wanted. My yarn needed some floofiness, some bloom. It needed to fill in a bit so that the color-work had more of a presence.  So the Merino/Silk blend is perfect! And shucks if I didn’t have to knit with it. The sacrifices I make for y’all. ;)

A knitted stole combining mosaic style color-work and Estonian lace from Barbara Benson

Photo by Linus Ouellet courtesy Twist Collective

Well, I have babbled on haven’t I? Considering that I started out with questions please let me know in the comments if there are any questions you have about this new shawl. If it is complicated enough, or if there is more than one, I can do a whole additional post. If you have an easy one I will answer in the comments.

I want to wrap things up by sending a special Thank You out to the awesome Raveler CathyG. The knitting of this shawl took place during my jaunt around the MidWest and she was kind enough to allow me to take over an entire room in her house to block this big guy. Crawling around on the floor with someone is an excellent bonding experience and I was pleased to have it with you!

Sneak Preview – BitterBlue

There has been scheming going on. Scheming and plotting with a bit of nefarious activities on the side. All of it started around February of this year and I have been plugging away at it with my co-conspirators ever since.

A sneak peek at a new beaded shawl from Barbara Benson, The Unique Sheep, and EarthFaire

A little peek at the shawls.

Have you heard of EarthFaire? It is a lovely online store that has a very tight focus on beaded knitting. The proprietor of EarthFaire is Ellen and I was lucky enough to get to know her when she contacted me regarding Caladan and I was pleased as punch that she wanted to carry the shawl as a kit. Kits are what she specializes in, being a private shopper for you and your knitting. She matches the perfect yarn and the perfect beads with a pattern so that you don’t have to guess what is going to work.

A sneak peek at a new beaded shawl from Barbara Benson, The Unique Sheep, and EarthFaire

I could take “arty” pictures all day.

After working with her for several years I felt that she might not think I was completely crazy when I approached her with a slightly crazy idea and I was right. She was game and she brought the amazing Kelly from The Unique Sheep in on the plan and we were off like a shot! Using two images that I had earmarked as inspirational for their color palates, Kelly crafted two new and beautiful Gradiance Color-ways to be used in an new shawl pattern.

A sneak peek at a new beaded shawl from Barbara Benson, The Unique Sheep, and EarthFaire

A slightly different angle gives slightly different hints.

Ellen worked with me to pick the perfect beads and then it was up to me to get the patterning and knitting done. With the help of a wonderful sample knitter to handle one of the shawls I am now at the point where I need to shoot the final photos and put the finishing touches on the pattern. But the reason I am posting this today is that if this idea excites you – you don’t have to wait. EarthFaire has put the kit up for pre-order on her site here! She has tons of info on there that I won’t be all redundant about, but it is worth looking at for details about club exclusives, pre-order discount, and a knit-a-long.

A sneak peek at a new beaded shawl from Barbara Benson, The Unique Sheep, and EarthFaire

The most revealing shot.

As she mentions, the pattern will be available on Ravelry – but if you want the custom colors you can only get them from EarthFaire. I will be releasing the pattern in September to coincide with the yarn and kits being ready. This gives me a wee bit of time to get all of my ducks in a row. In the meantime, you can be sure that there will be some blog posts about how to put beads on your knitting.

Anatomy of Cable Abbreviations, part two

I seriously had to resist naming this post “part Deaux” or  “Abbreviations Reloaded” or “The Cable Strikes Back” … I am just full of the silly.

Onward and upward!

Learn how to decipher a written cable abbreviation in a knitting pattern, part Two. -TumpedDuck

Cable/cross two right

Diving right back into crossing cables – we are now looking at Right and Left cables.

To start off with, these are 100%, absolutely identical to the Front and Back cables in execution, we are just looking at different nomenclature. Po-tay-toe, po-tah-toe as one says. Now for the break down

  1. C – once again letting you know you are fixin’ to cable or “cross” your stitches. This is the same as understanding that ‘k’ is telling you to knit and ‘p’ is telling you to purl.
  2. A Number – nothing new here. This is letting you know how many stitches are involved in your upcoming cable. In this case you will be crossing 2 stitches, but how? (As usual, if the number is even it is assumed that you will split the stitches evenly.)
  3. Direction – here is where things are changed up. With Front and Back you are being told what to do with the stitches. Left and Right lets you know what the end appearance of the cable will be after you have completed the stitch swap. Yeah. I know. It is time for a picture
Understanding how a Right Cable moves - TumpedDuck

A Right Cable

 

 

What you see to the right is a Right crossing cable. The black arrow represents the stitches moving to the front and the brown arrow is the stitches moving to the back. Right is referring to the direction of movement of the stitches that are held to the front of the work. The arrows show the directionality of the stitches. When considering the constituent stitches of the cable (here there are a total of two stitches) you are moving the left-most stitch to the front and over the right-most stitch.

Try to remember: in a Right cable the front stitches move from left to Right.

Learn how to decipher a written cable abbreviation in a knitting pattern, part Two. -TumpedDuck

Cable One over Two Left

Understanding how a Right Cross Cable (CL) moves. - TumpedDuck

A left Cable

As in the Back/Front cables, you can also have an uneven number of stitches and the abbreviation works pretty much the same way.

  1. C – I think you might have this by now. C = this is a cable. You, dear knitter will be cabling before you know it!
  2. A Number – remember, this is not a fraction. The / symbol should be read as “over”, so this tells you that it is a one over two cable. If you were passing two stitches over one then the number would be written 2/1.
  3. Direction – this is a Left cable so you know that your end result is a cable where the front stitch(es) appear to twist to the Left. In the case of this stitch you already know from the number that your single stitch is passing over the other two stitches. Because this is a Left cable that means that the first stitch is held to the front, you knit the next two stitches and then the held stitch. The single stitch is passing from the right to the Left. If you follow the diagram to the right you can see the black arrow representing the direction the front stitches move.

For a Left cable try to remember that the front stitches mover from the right to the Left.

Now, I find the Left/Right naming convention to be considerably more confusing than the Front/Back, but to each their own. Whatever clicks the best in your brain you just go for it! If you need to draw parallels between the two styles of naming you can try to remember that Right = Back and Left = Front. My mnemonic for that is R&B. For some reason my musical nature always associates R&B together (Rhythm and Blues anyone?) so I can remember that R(ight) goes with B(ack).

Incidentally, this is the same way I remember how to work a Right leaning increase. When you want your M1 to lean right you pick the strand up from the back. R&B just go together (in my crazy brain). Do you have any knitting mnemonics?